What Kinds of Applications Are Described Here What...

Ninety percent of all postpartum hemorrhages are caused by uterine atony-that is, failure of the uterine muscles to contract normally after the baby and placenta are delivered. The blood vessels supplying the placenta during pregnancy are severed when the placenta separates from the wall of the uterus. The bleeding that results from these severed vessels normally stops when the uterus contracts, compressing the vessels. However, if the uterus doesnt contract enough, the bleeding can continue. Significant blood loss can result from a floppy, uncontracted uterus. Factors that may prevent the muscles of the uterus from contracting include the following: * prolonged labor; * the use of oxytocin (Pitocin) during labor; * general†¦show more content†¦That is, there is a desensitization or down regulation of oxytocin receptors. This in turn suggests that in long augmented labors, additional oxytocin may not be beneficial. Therefore, early in these cases, one should consider switching to alternative uterotonic agents in the presence of excessive bleeding. The most common side effects of large bolus doses of oxytocin include nausea, vomiting and hypotension. The decrease in BP is transient, is accompanied by a reflex tachycardia and, in turn, an increase in cardiac output. Because of the transient nature of the hypotension, it is well tolerated in the healthy obstetrical population. However, caution is advised in patients with pre-existing cardiac disease in whom an increase in heart rate or cardiac output might be detrimental or in patient s suffering from hypovolemic shock. 2. Ergonovine Maleate Ergot is usually the second line drug for the treatment of uterine atony. It increases uterine tone through direct alpa-adrenergic stimulation. It is frequently administered intramuscularly in a dose of 0.25 mg but can be given by a slow intravenous injection of 0.125 mg. Too rapid administration can result in severe nausea, vomiting and retching as well as severe hypertension. The onset of action is 3-5 minutes. In contrast to oxytocin which is sometimes administered with the anterior shoulder, Ergot should not be administered before the placenta is delivered as this has been shown to cause anShow MoreRelated1. What Kinds of Applications Are Described Here? What Business Functions Do They Support? How Do They Improve Operational Efficiency and Decision Making? I Believe the Kind of Applications That Was Described in the1361 Words   |  6 Pages MIS in Your Pocket Q1: The applications are described in this case are e-mail, calendar and contacts from Microsoft Exchange ActiveSync. Furthermore, there are some new software applications like hospital’s MEDITECH electronic medical records system, Epocrates Essentials, ChainLinq Mobile and iPhone app. The business function of these kinds of applications is to make employees control their work easily, and help them to fix complex things. The e-mail application keeps the doctors and other employeesRead MoreMis in Your Pocket655 Words   |  3 PagesMIS In Your Pocket Question 1: What kinds of application are described here? What business function do they support? How do they improve operational efficiency and decision making? Ans- A number of mobile applications are described in this case such as, e-mail, photo sharing, text messaging, web-based note taking, file sharing, tools for web conferencing, electronic presentation, chainLinq Mobile, GPS, google map by the D.W.Morgan company, Epocrates Essential by Doylestown Hospital to interpretRead MoreInteractive Session: Organizations: Running the Business from the Palm of Your Hand1528 Words   |  7 PagesRunning the Business from the Palm of Your Hand Case Study Questions 1. What kinds of applications are described here? What business functions do they support? How do they improve operational efficiency and decision making? Email, messaging, social networking, and sales force management are described in this case study. The applications support business functions including collaboration, location-based services, and communications with colleagues. These applications improve operational efficiencyRead MoreHow  is  IT  transforming  business  and  what  is  their  relationship   to  globalization?  3652 Words   |  15 PagesObjectives †¢ How  is  IT  transforming  business  and  what  is  their  relationship   to  globalization?   1. Information Technology Basics †¢ Why  is  IT  so  essential  for  running  and  managing  a  business   today? †¢ What  exactly  is  an  information  system?  Ã‚  How  does  it  work?   What  are  its  management,  organization,  and  technology   components? †¢ What  are  complementary  assets?  Why  are  complementary   assets  essential  for  ensuring  that  information  systems  provide   genuine  value  for  an  organization? †¢ What  is  a  sociotechnical  systems  perspectiveRead MoreCis Computer Case Study1808 Words   |  8 Pages1. What kinds of applications are described here? What business functions do they support? How do they improve operational efficiency and decision making? I believe the kind of applications that was described in the article is business application. According to the www.wikipedia.org, retrieved July 3, 2012, â€Å"business application† is generally any software program that helps business increase productivity or measures their productivity. In this case, applications were used in the hospitals, deliveryRead MoreSample Resume : Shared Services9449 Words   |  38 PagesPurpose of this document 2 2.2 Context and Background 3 2.3 Project Scope 4 3.0 Background Research 5 3.1 Introduction to Shared Business Services 5 3.2 Mixed Track Record of Shared Services 7 3.3 Why does it make sense now? 7 3.4 Drivers for change 8 3.5 The ‘Do Nothing Option’ 8 3.6 The Potential impact of Shared Services 9 3.6.1 Amplify Service Performance 9 3.6.2 Expand Support Services Portfolio 10 3.6.3 Disseminate Authoritative Information 10 3.6.4 Standardisation and Data Aggregation 10 3.6.5 GenerateRead MoreErp and Related Technologies4467 Words   |  18 Pagesresource planning and means the techniques and concepts for the integrated management of business as a whole, from the viewpoint of the effective use of management resources, to improve the efficiency of an enterprise. ERP systems serve an important function by integrating separate business functions-materials management, product planning, sales, distribution, finance and accounting and others-into a single application. However, ERP systems have three significant limitations: 1. Managers cannotRead MoreLaudon - Business Information Systems16132 Words   |  65 Pagesan information system. What is the difference between data and information? The computer is one physical part of the information system. The program is what operates the computer. An information system is the physical system including computers and networks, software (programs), people who operate the system, and the procedures for operating the system. Data is the basic raw element of facts, information is the processed data that is useful and meaningful to people. 2. What activities convert rawRead Moreinformation systems plan for seminole industries research project5665 Words   |  23 Pages 1. World business collaboration/ New global information technology infrastructure 2. Seminole issue analysis  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚   2.1. No integrated management system   Ã‚  Ã‚  Ã‚  Ã‚   2.2. Inefficient corporate communication approach   Ã‚  Ã‚  Ã‚  Ã‚   2.3 non-standard data management   Ã‚  Ã‚  Ã‚  Ã‚   2.4. Lack of advanced business practice for competition II. Recommended Vendor Products and Solutions Read MoreDifferent Type of Information System11191 Words   |  45 Pagesthe information systems described below are not mutually exclusive and some (especially Expert Systems, Management Information Systems and Executive Information Systems are can be seen as a subset of Decision Support Systems). However these examples are not the only overlaps and the divions of these information systems will change over time. At present there are five main types:    |Transaction Processing Systems (TPS) | |Decision Support Systems (DSS)

Film Ideology †Milk Free Essays

string(150) " he spearheaded a statewide campaign to defeat Proposition 6, a ballot initiative that called for the mandatory firing of gay teachers in California\." Assignment 2 – Film and Ideology The definition of the word ideology can be represented in many ways. Today’s basic understanding of the word can be defined as â€Å"the body of ideas reflecting the social needs and aspirations of an individual, group, class, or culture† (Farlex, 2009). Gus Van Sant’s exceptional biopic Milk (Gus Van Sant, 2008) depicts the story of Harvey Milk, the slain gay-rights activist who became the first openly gay man elected to any substantial political office in the history of the planet. We will write a custom essay sample on Film Ideology – Milk or any similar topic only for you Order Now Harvey Milk’s life changed history – his courage still motivates people today, his ideals still teach people today and his hope still inspire people today. The release of Milk in 2008 has helped to bring back a new sense of appreciation for the hope and passion that Harvey Milk died for. Milk beautifully shows the fights and struggles Harvey Milk had to go through to gain the trust of the people and in order for his ideologies of a brighter tomorrow for all queer people to be fully appreciated by everyone. Harvey Milk was an individual who did not die in vain; his efforts in fighting for gay rights left a lasting impact on the people of this planet and his hope still lives on to this day. Simply put Harvey Milk’s ideology of fighting on and instilling hope in the fight for gay rights when no one else would, immortalized him – â€Å"Without hope, life’s not worth living† (Milk, 2008) It is now June 7th 1977, the sun has set on the Castro district of San Francisco, and the crowd that has gathered in the street outside Harvey Milk’s camera shop is becoming more and more, impatient and angry. We know watching that the reason that everyone is angry is due to the reports about voters in Dade County, Florida, having voted to overturn a local gay-rights ordinance, giving momentum to a backlash whose most visible public face belongs to Anita Bryant. We know we have reached the climax of the movie. So much is happening all at once in the life of Harvey Milk that you wonder how he has not yet lost his head. His impish upbeat attitude and overly positive optimism in the face of multiplying frustrations makes you look up in awe at the wonderment that is Harvey Milk. The gay residents of the Castro are angry and looking to Harvey for leadership. Though not yet elected to office and having lost 3 years consecutively, Harvey rises to the occasion and leads the angry crowd to city hall where he picks up a bullhorn and address the crowd in a way only Harvey Milk can – turning an angry mob on the verge of a violent riot to a enthusiastic mass willing to fight for their rights the proper way. In the space of a few minutes Harvey goes from a whisper to a shout, from an intimate message of consolation and support to a defiant public speech. Milk shows us that it is these moments, these distinct modes of address, are connected, and that the link between them is what defines Harvey Milk’s aspirations and ideals. According to Dr. Harry M. Benshoff, an associate professor of Radio, Television, and Film at the University of North Texas, queer theorist focus on how sexuality was and is a product of culture, not some sort of biological given. In Milk it is clearly stressed that Harvey too did not believe that homosexuality was a genetic disease. In the scene of the 1977 June 7th march, just before he leaves the store to lead the mob to city hall, Harvey answers the telephone only to be greeted by a scared and confused teenager whose parents believe him to be ill because he is gay. Harvey’s disregard of homosexuality as a genetic disorder is abundantly clear in this scene when he reassures the teenage boy that he isn’t ill and that being gay is perfectly normal. Dr. Benshoff goes on to day that following the work of Alfred Kinsey and Sigmund Freud, queer theorists argue that human sexuality—or indeed, race, gender, class, etc. are not either/or propositions, but are rather fluid and dynamic socially-defined positions. To suggest that there is one norm (straight white man on top sex for procreation and nothing else) is grossly misleading and only serves to foster rule by the same and persecution of everything else. Throughout Milk we can see that Harvey, though a very passionate gay-rights activist, is not only looking out for the queer folk. He holds dear to the ideal that everyone is equal. In a way he embodies what Kinsey and Freud say. He did not believe in just one norm. In his fight for gay-rights he isn’t trying to one-up the vast heterosexual majority by over throwing them and getting homosexuals to run the world, he is merely trying to get them to see that homosexuals are no different from any other person. Harvey Milk was trying to break down the social barriers that led to narrow minded thinking of just one social norm. In Milk during one of the public rally’s he had, Harvey said that â€Å"all men are created equal. No matter how hard you try, you can never erase those words† – he believed these words with all his heart. To Harvey Milk, he wasn’t just fighting for gay-rights; he was fighting for a way of life that did not constrict its citizens to conform to just one social norm. Milk, Gus Van Sant’s film project that was close to two decades in the making, was released on the 26th of November 2008 and marks the 30th anniversary of Harvey Milk’s death and the brief but brilliant political career he led. Harvey Milk was unfortunately gunned down on November 27th 1978, three weeks after his biggest political victory. The San Francisco city supervisor had been in office less than a year when he spearheaded a statewide campaign to defeat Proposition 6, a ballot initiative that called for the mandatory firing of gay teachers in California. You read "Film Ideology – Milk" in category "Papers" Milk however arrived in theaters three weeks after the biggest political setback the American gay rights movement has suffered in years: the passage of Proposition 8, which reversed the California Supreme Court ruling that legalized same-sex marriage. As untimely as the events that unfolded prior to the theatrical release of Milk, it begs the question on how did Proposition 8 change the meaning—the symbolic and ideological significance as well as the real-world function—of Gus Van Sant’s Milk. The passing of proposition 8 transformed Milk from a delicate, serious-minded period biopic that was directed by the brilliant Gus Van Sant into something much more urgent. Milk was suddenly this shinning beacon of hope that reinstated the hope and passion that was Harvey Milk into today’s gay-rights activist. There are some moments in the film that in retrospect seem as though it is speaking directly to the audience of the present. As the Proposition 6 results start to roll in, Harvey tells his followers: â€Å"If this thing passes, fight the hell back. † Those eight words speak volumes to the people who are fighting against the proposition 6 of today, proposition 8. â€Å"Somehow, when 8 passed, something else happened that was even more intense than the campaign, which is good. It was an inspiring reaction that showed strength to the people who were against Prop 8. So yeah, it seems to have an effect on something that’s similar to it: Prop. 6, that appears in our movie†, Milk director Gus Van Sant was quoted during an interview with IFC. com. The activist understood the message Harvey Milk stood for in the day, and opted not to let his valiant efforts go to waste. To judge from the numerous rallies that have sprung up across the country since Prop 8 passed, many gays and lesbians are doing just that, refusing to go down without a fight. Gay rights advocates have been quoted saying that they hope to capitalize on Milk’s fortuitous topicality. The film’s Oscar winning screenwriter, Dustin Lance Black, and veteran activist Cleve Jones published a manifesto for equality in the San Francisco Chronicle on November 14th 2008 and launched a nationwide campaign of mass protests and civil disobedience. The endnote of their manifesto read, â€Å"Remember always, and reflect in all your actions, that we are not fighting against anyone, or anything. We are struggling for equality†. Harvey Milk was the one that picked up the flag when no one else would. He was the one that led the suppressed minority on to recognition and acceptance. All who wear his badge, or speak his words, or hold strong to his ideals, keep him alive. Milk managed to revitalize Harvey and in a strange twilight zone sort of way enlisted today’s newly radicalized generation to find their figurehead in the movie-hero version of a long-dead hero. In Milk we see that Harvey’s main arsenal in his fight for equality was that he rejected secrecy and shame in favor of openness and visibility. He insisted that the fight against homophobia begins with the act of coming out – â€Å"If they know us, they don’t vote against us†. Harvey Milk realized this earlier than many of his contemporaries. He understood that in order to gain true equality gays and lesbians should serve as their own civil advocated instead of merely relying on pacts and promises made with their straight allies in high and powerful places. Though he was seen as a radical at the time, in retrospect Harvey Milk is an optimist, an idealist, a true believer in the possibilities of American democracy. Gus Van Sant understood where Harvey was coming from with his ‘come out of the closet ideology’. In the interview with IFC. om Gus Van Sant sheds some light on the ideology and how it affected him. â€Å"It was Harvey’s one idea that would have worked and probably did help the â€Å"No on Proposition 6† campaign†¦ultimately, it’s an interesting concept, and that was the way he thought had a huge effect on Proposition 6. If it’s not an unknown, it’s not scary. If it’s a known, it’ s friendly and you understand, ‘Oh that person that I know is gay, and this other person I know is gay’. That’s partly how it works†. The openly gay Hollywood director went on to say, â€Å"But people did come out. It was his drive to just come out of the closet, lock the closet, and stay out, which was followed by many people. And really, it was his death request. If a bullet should enter his brain, may it knock down every closet door — that was his last request, his will, which probably extended to many people, including me, because I came out after he was killed†. This is just one of the millions of example on how Harvey Milk’s ideals and aspiration for equality for homosexuals touched and affected the lives of many closeted ones. Milk’s screenwriter Dustin Lance Black was quick to praise Harvey Milk’s ‘come out of the closet’ ideal a really good solution to a problem that tons of people had diagnosed but had yet to offer any answers to in an interview with ABC Radio. In the same interview he said, â€Å"In the years that Harvey put that into place, that sort of philosophy into the campaign, he won an election and a month later he was able to defeat one of the biggest, most popular anti-gay pieces of legislation in our country. He was able to defeat it, very unexpectedly, with that philosophy†. The recent anti-Prop 8 movement however seemed to embrace the opposite tactic. It was a closeted campaign, devoid of a public face, largely dependent on straight spokespeople, and run with a wary defensiveness that would have driven Harvey Milk mad. The story and context of Milk, and of the times in which Harvey Milk lived and led, make clear the continuation of this struggle we still find ourselves in. As soon as you lose a battle, another one looms before, giving you another opportunity to try to win. You win a battle, and before you can catch your breath, another struggle is on the horizon. We fall down only to pick ourselves back up again. Nothing about progress allows for much in the way of rest, but nor does it allow for much to remain stagnant. Harvey Milk’s thoughts were ones that changed the world. His thoughts turned into full out ideologies and his ideologies in turn morphed into a revolution. The ever brilliant Gus Van Sant who has a certain knack for merging the lines between now and then delivers to us a biopic that brings back to life its subject. In the post-proposition 8 viewing of this film, we can now see the rise of a new generation of activist – ones that have been instilled with a new sense of hope. Just as Harvey Milk’s assassination, which he repeatedly foretold, has meant that he remains frozen in time as a martyr, the Proposition 8 result has, for now, has redefined Milk as a cause. Gus Van Sant’s 20 year long journey of bringing to life this culturally epic subject has cemented Harvey Milk’s position as an ideological leader. â€Å"Lives of great men all remind us; we can make our lives sublime, and, departing, leave behind us, footprints on the sands of time† (Longfellow, 1838). Harvey Milk’s footprints would have never been forgotten, but Milk has in a way reaffirmed this stand. Gus Van Sant brought about a hero that was long gone and risen him from six feet under to be celebrated again as if he was never gone. Harvey Milk believed in one thing above all else and that was hope, Gus Van Sant brought back that hope. â€Å"I ask this†¦ If there should be an assassination, I would hope that five, ten, one hundred, a thousand would rise. I would like to see every gay lawyer, every gay architect ‘come out’ – If a bullet should enter my brain, let that bullet destroy every closet door†¦ And that’s all. I ask for the movement to continue. Because it’s not about personal gain, not about ego, not about power†¦ it’s about the â€Å"us’s† out there. Not only gays, but the Blacks, the Asians, the disabled, the seniors, the us’s. Without hope, the us’s give up – I know you cannot live on hope alone, but without it, life is not worth living. So you, and you, and you†¦ You gotta give em’ hope†¦ you gotta give em’ hope. †, were the last lines of Milk. (2435 words) References: 1. Black, D. L. (2008) Interview with Dustin Lance Black, writer, ‘Milk’, viewed May 2009, 2. Doty, A. 1998) The Oxford Guide To Film Studies: Queer Theory, Oxford University Press Inc, New York 3. Dr. Benshoff, H. M. (2006) Notes on Gay History/Queer Theory/Queer Film, viewed May 2009, http://www. unt. edu/ally/queerfilm. html 4. Milk, 2008. Film. Directed by Gus Van SANT. USA: Focus Features 5. Sant, G. V. (2008) Interview: Gus Van Sant on â€Å"Milk†, viewed May 2009, http://www. ifc. com/news/2008/11/gus-van-sant-on-milk. php 6. TheFreeOnlineDictionary. Com By Farlex (2000) The American Heritage Dictionary of the English Language, Houghton Mifflin Company, Boston How to cite Film Ideology – Milk, Papers

Performance Management free essay sample

Performance Assessment plays an important role in human resource management processes. However, factual evidence shows that there is a high rate of assessment failures. One of reasons leading to this issue is the illogical design of performance assessment forms. This essay firstly outlines the performance management technique using in the Performance Appraisal Form Template issued by Businessballs (www. businessballs. com). This essay will then analyse its strengths and weaknesses related to assessment validity, reliability and felt-fairness. Finally, this essay will discuss some aspects where this instrument can be re-designed to improve its validity, reliability and felt-fairness. This appraisal form, also referred to as an instrument, is a generic assessment instrument which could be applied to most positions, both non-managerial and managerial. Basically, this form consists of two main parts. In correspondence with each part, different assessment sources are used. For example, part A uses self assessment source. In this part, assessees are required to evaluate themselves. We will write a custom essay sample on Performance Management or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Part B uses supervisory assessment sources. This part will be completed by assessors through performance review meetings with assessees. The review meetings have the problem solving style with the placement of open discussions between assessors and assessees to identify the strengths and weaknesses of assessees (section B2, B3 and B4), and then to find out the solutions to assessees performance problems (section B5, B6, B7 and B8). There are several performance management techniques applied in this form. The first technique is the management by objectives (MBO). The use of this technique can be found in both the two parts of this form. Particularly, in part A, assessees are required to review their main duties and responsibilities (section A1); to evaluate the achievement of agreed objectives in the past years (section A3); and to identify new objectives and action plan for the following year (point 6 and 7 of section A2). In part B, assessors on the one hand will review self assessment of assessees in part A (section B1, B2, B3 and B4), and then will counsel assessees in setting their future objectives and action planning on the other hand (section B5, B6, B7 and B8). Such approach clearly complies with the management by objectives technique

The novel by Bram Stoker Essay Example For Students

The novel by Bram Stoker Essay Dracula adapted by David Calcutt from the novel by Bram Stoker, is a compelling and dramatic play which conveys horror extremely well. The central characters are Jonathan Harker, his fiancee Mina and their friends, and of course Dracula. This shows an example of successful horror as they all have an encounter with the lord of all darkness and evil, Dracula.  In the opening scene, horror is conveyed when Jonathan Harker goes to Draculas castle. There is alot of mystery surrounding Dracula. When Johnathan arrives in Trasylvania, to go and see Dracula (about his new home in England) he goes to stay in an inn. He tells the Land Lady why he has come to Transyvania. She shudders and tries to put him off going there. In the morning, before Jonathan sets off on his travels, the Land Lady of the inn gives Jonathan a crucifix. Please. Take it. For safety. It will protect you. The Land Lady said to Jonathan, as if he was needing protecting from something dangerous or something evil. The description that the author gives of the mountains is appropriate for this play. He describes them as being Bathed in a deep red light and red is the colour of blood. It is also associated with evil and danger. We will write a custom essay on The novel by Bram Stoker specifically for you for only $16.38 $13.9/page Order now In scene three after Jonathan has arrived at the castle and met Dracula, to convey horror, three hags are added. Adding the hags to the play provides a hypnotic element, like they have put Jonathan under a spell. They use figurative speech and metophorical language when they are talking. An example of this is The scratch of the spiders leg over the floor. This is used to describe the hags voice. It doesnt really sound like that, it is probably a low rough sounding voice, but describing it like this gives it a supernatural effect. When they are saying things to him, such as We suck the hot blood from your veins or We suck the last breath from your soul, they are hypnotising Jonathan so they can eat him and, as they are speaking they are slowly moving in, closer and closer, as Jonathan is lying on a bed. This is a good example of horror because he would obviously be scared at seeing three ugly hags closing in on him for a feed. They are trying to trick him into thinking he is asleep. Jonathan also discovers in this scene how Dracula sleeps. He is trying to escape from Draculas castle when he sees a chapel. He jumps down into the chapel where he finds coffins. He opens the lid of one and finds Dracula. Not dead, or asleep. The description of Dracula in his coffin turns the atmosphere from eerie and strange, to a play about evil and horror. The description of lips red with blood, shows that Dracula has been eating something, or someone. In scene four to put horror across to the reader, the dramatist adds Mr Swales into the play to help add a bit more fear and superstition. Mr Swales can see into the future: Maybe its just that I can feel my own death approaching. Mr Swales, for some reason, thought he was going to die. The description at the end of act one is a good link into act two. The end sentence in act one,  So evil came into this land, and cast its shadow upon it,  and took possesion.  ties in with the beginning of act two because there is a violent storm. The evil is Dracula and the shadow is the storm. Took possesion is where Mr Swales dies as Dracula has taken over his soul, the evil, (Dracula) that came into the land took possesion of Mr Swales. This adds more fear to the play as Mr Swales prediction comes true. .u697d6bc9e8d708bd1478109135c7041e , .u697d6bc9e8d708bd1478109135c7041e .postImageUrl , .u697d6bc9e8d708bd1478109135c7041e .centered-text-area { min-height: 80px; position: relative; } .u697d6bc9e8d708bd1478109135c7041e , .u697d6bc9e8d708bd1478109135c7041e:hover , .u697d6bc9e8d708bd1478109135c7041e:visited , .u697d6bc9e8d708bd1478109135c7041e:active { border:0!important; } .u697d6bc9e8d708bd1478109135c7041e .clearfix:after { content: ""; display: table; clear: both; } .u697d6bc9e8d708bd1478109135c7041e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u697d6bc9e8d708bd1478109135c7041e:active , .u697d6bc9e8d708bd1478109135c7041e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u697d6bc9e8d708bd1478109135c7041e .centered-text-area { width: 100%; position: relative ; } .u697d6bc9e8d708bd1478109135c7041e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u697d6bc9e8d708bd1478109135c7041e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u697d6bc9e8d708bd1478109135c7041e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u697d6bc9e8d708bd1478109135c7041e:hover .ctaButton { background-color: #34495E!important; } .u697d6bc9e8d708bd1478109135c7041e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u697d6bc9e8d708bd1478109135c7041e .u697d6bc9e8d708bd1478109135c7041e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u697d6bc9e8d708bd1478109135c7041e:after { content: ""; display: block; clear: both; } READ: To Kill a Mockingbird - Assignment - Theme of Prejudice EssayIn act two, the author conveys horror well by adding a storm to the play. The author also adds mystery, because during the storm a ship appears and, the ship makes it to the harbour, even though its rough seas. The coastguard went onto the ship and found a corpse tied to the steering wheel. The coastguard also finds several boxes about five or six feet in length. This made me think about who was on the ship. I think that there were only two people on the ship; Dracula and the corpse on the wheel. I think Dracula bit the other mans neck. He is now a slave of Dracula and that is why he seemed to be steering the ship. At the end of this scene a large grey dog is seen jumping of the ship. I think that Dracula turned himself into this dog to avoid being seen by the crowed that had now gathered at the harbour. He also has the power to change the weather, so, I think he changed the weather so it would be dark when he arrived in Britain. (so that he wouldnt die from being in the daylight.) It is a good way to introduce Dracula into Britain, an effective way of describing his arrival.

Alfred Hitchcock - Profile of the Famous British Film Director

Alfred Hitchcock - Profile of the Famous British Film Director Known as the â€Å"Master of Suspense,† Alfred Hitchcock was one of the most famous film directors of the 20th century. He directed more than 50 feature-length films from the 1920s into the 1970s. Hitchcock’s image, seen during Hitchcock’s frequent cameos in his own films and before each episode of the hit TV show Alfred Hitchcock Presents, has become synonymous with suspense. Dates: August 13, 1899 – April 29, 1980 Also Known As: Alfred Joseph Hitchcock, Hitch, Master of Suspense, Sir Alfred Hitchcock Growing Up with a Fear of Authority Alfred Joseph Hitchcock was born on August 13, 1899, in Leytonstone in the East End of London. His parents were Emma Jane Hitchcock (neà © Whelan), who was known to be stubborn, and William Hitchcock, a grocer, who was known to be stern. Alfred had two older siblings: a brother, William (born 1890) and a sister, Eileen (born 1892). When Hitchcock was just five years old, his strict, Catholic father gave him quite a fright. Attempting to teach Hitchcock a valuable lesson, Hitchcock’s father sent him to the local police station with a note. Once the police officer on duty read the note, the officer locked young Hitchcock in a cell for several minutes. The effect was devastating. Although his father was trying to teach him a lesson about what happened to people who did bad things, the experience left Hitchcock shaken to the core. As a result, Hitchcock was forever fearful of the police. A bit of a loner, Hitchcock liked to draw and invent games on maps in his spare time. He attended St. Ignatius College boarding school where he stayed out of trouble, fearful of the strict Jesuits and their public canings of boys who misbehaved. Hitchcock learned draftsmanship at the London County Council School of Engineering and Navigation in Poplar from 1913 to 1915. Hitchcock’s First Job After graduating, Hitchcock got his first job in 1915 as an estimator for W.T. Henley Telegraph Company, a manufacturer of electric cable. Bored by his job, he regularly attended the cinema by himself in the evenings, read the cinema trade papers, and took drawing classes at London University. Hitchcock gained confidence and began to show a dry, witty side at work. He drew caricatures of his colleagues and wrote short stories with twist endings, to which he signed the name â€Å"Hitch.† Henley’s Social Club magazine, The Henley, began publishing Hitchcock’s drawings and stories. As a result, Hitchcock was promoted to Henley’s advertising department, where he was much happier as a creative advertising illustrator. Hitchcock Gets Into Filmmaking In 1919, Hitchcock saw an ad in one of the cinema trade papers that a Hollywood company named Famous Players-Lasky (which later became Paramount) was building a studio in Islington, a neighborhood in Greater London. At the time, American filmmakers were considered superior to their British counterparts and thus Hitchcock was extremely excited about them opening up a studio locally. Hoping to impress those in charge of the new studio, Hitchcock discovered the subject of what was to be their first motion picture, bought the book it was based on, and read it. Hitchcock then drew up mock title cards (graphic cards inserted into silent movies to show dialogue or explain action). He took his title cards to the studio, only to find that they had decided to film a different movie. Undaunted, Hitchcock quickly read the new book, drew up new title cards, and again took them to the studio. Impressed by his graphics as well as his determination, Islington Studio hired him to moonlight as their title-card designer. Within a few months, the studio offered 20-year-old Hitchcock a full-time job. Hitchcock accepted the position and left his steady job at Henley to enter the unsteady world of filmmaking. With calm confidence and a desire to make movies, Hitchcock began to help out as a screenwriter, assistant director, and set designer. Here, Hitchcock met Alma Reville, who was in charge of film editing and continuity. When the director fell ill while filming the comedy, Always Tell Your Wife (1923), Hitchcock stepped in and finished the film. He was then offered the opportunity to direct Number Thirteen (never completed). Due to a lack of funds, the motion picture abruptly stopped filming after a few scenes were shot and the entire studio shut down. When Balcon-Saville-Freedman took over the studio, Hitchcock was one of just a few people asked to stay on. Hitchcock became the assistant director and screenwriter for Woman to Woman (1923). Hitchcock hired Alma Reville back for continuity and editing. The picture was a box-office success; however, the studio’s next picture, The White Shadow (1924), failed at the box-office and again the studio shut down. This time, Gainsborough Pictures took over the studio and Hitchcock was again asked to stay. Hitchcock Becomes a Director In 1924, Hitchcock was the assistant director for The Blackguard (1925), a film shot in Berlin. This was a co-production deal between Gainsborough Pictures and UFA Studios in Berlin. Not only did Hitchcock take advantage of the Germans’ extraordinary sets, but he also observed the German filmmakers using sophisticated camera pans, tilts, zooms, and tricks for forced perspective in set design. Known as German Expressionism, the Germans used dark, moody thought-provoking topics such as madness and betrayal rather than adventure, comedy, and romance. The German filmmakers were equally happy to learn an American technique from Hitchcock whereby scenery was painted onto the camera lens as a foreground. In 1925, Hitchcock got his directorial debut for The Pleasure Garden (1926), which was filmed in both Germany and Italy. Again Hitchcock chose Alma to work with him; this time as his assistant director for the silent film. During filming, a budding romance between Hitchcock and Alma began. The film itself is remembered for the myriad of troubles the crew ran into during filming, including having customs confiscate all of their unexposed film as they crossed the international border. Hitchcock Gets â€Å"Hitched† and Directs a Hit Hitchcock and Alma married on February 12, 1926; she would become his chief collaborator on all his films. Also in 1926, Hitchcock directed The Lodger, a suspense movie filmed in Britain about a â€Å"wrongly accused man.† Hitchcock had chosen the story, used fewer title cards than usual, and tossed in bits of humor. Due to a shortage of extras, he had made a cameo appearance in the film. The distributor didn’t like it and shelved it. Stunned, Hitchcock felt like a failure. He was so despondent that he even contemplated a career change. Luckily, the film was released a few months later by the distributor, who had been running short on films. The Lodger (1927) became a huge hit with the public. Britain’s Best Director in the 1930s The Hitchcocks became very busy with filmmaking. They lived in a country house (named Shamley Green) on the weekends and lived in a London flat during the week. In 1928, Alma delivered a baby girl, Patricia – the couple’s only child. Hitchcock’s next big hit was Blackmail (1929), the first British talkie (film with sound). During the 1930s, Hitchcock made picture after picture and invented the term â€Å"MacGuffin† to illustrate that the object the villains were after needed no explanation; it was just something used to drive the story. Hitchcock felt he didn’t need to bore the audience with details; it didn’t matter where the MacGuffin came from, just who was after it. The term is still used in contemporary filmmaking. Having made several box-office flops in the early 1930s, Hitchcock then made The Man Who Knew Too Much (1934). The film was a British and American success, as were his next five films: The 39 Steps (1935), Secret Agent (1936), Sabotage (1936), Young and Innocent (1937), and The Lady Vanishes (1938). The latter won the New York Critics’ Award for Best Film of 1938. Hitchcock caught the attention of David O. Selznick, an American film producer and owner of Selznick Studios in Hollywood. In 1939, Hitchcock, the number one British director at the time, accepted a contract from Selznick and moved his family to Hollywood. Hollywood Hitchcock While Alma and Patricia loved the weather in Southern California, Hitchcock was not fond of it. He continued to wear his dark English suits no matter how hot the weather. In the studio, he worked diligently on his first American film, Rebecca (1940), a psychological thriller. After the small budgets he had worked with in England, Hitchcock delighted in the large Hollywood resources he could use to build elaborate sets. Rebecca won the Oscar for Best Picture in 1940. Hitchcock was up for Best Director, but lost to John Ford for The Grapes of Wrath. Memorable Scenes Fearing suspense in real life (Hitchcock didn’t even like driving a car), he did enjoy capturing suspense on screen in memorable scenes, which often included monuments and famous landmarks. Hitchcock planned every shot for his motion pictures beforehand to such an extent that filming was said to be the boring part to him. Hitchcock took his audiences to the domed roof of the British Museum for a chase scene in Blackmail (1929), to the Statue of Liberty for a free fall in Saboteur (1942), to the streets of Monte Carlo for a wild drive in To Catch a Thief (1955), to the Royal Albert Hall for an assassination misfire in The Man Who Knew Too Much (1956),underneath the Golden Gate Bridge for a suicide attempt in Vertigo (1958), and to Mt. Rushmore for a chase scene in North by Northwest (1959). Other Hitchcock memorable scenes include a glowing poisoned glass of milk in Suspicion (1941), a man chased by a crop duster in North by Northwest (1959), a stabbing scene in the shower to shrieking violins in Psycho (1960), and killer birds gathering in a schoolyard in The Birds (1963). Hitchcock and Cool Blondes Hitchcock was known for engaging the audience with suspense, accusing the wrong man of something, and portraying a fear of authority. He also threw in comic relief, portrayed villains as charming, used unusual camera angles, and preferred classic blondes for his leading ladies. His leads (both male and female) portrayed poise, intelligence, underlying passion, and glamour. Hitchcock said audiences found classic blonde females to be innocent looking and an escape for the bored housewife. He didn’t think a woman should wash the dishes and go see a movie about a woman washing the dishes. Hitchcock’s leading ladies also had a cool, icy attitude for added suspense never warm and bubbly. Hitchcock’s leading ladies included Ingrid Bergman, Grace Kelly, Kim Novak, Eva Marie Saint, and Tippi Hedron. Hitchcock’s TV Show In 1955, Hitchcock started Shamley Productions, named after his country home back in England, and produced Alfred Hitchcock Presents, which turned into the Alfred Hitchcock Hour. This successful TV show aired from 1955 to 1965. The show was Hitchcock’s way of featuring mystery dramas written by various writers, mostly directed by directors other than himself. Before each episode, Hitchcock presented a monologue to set up the drama, beginning with â€Å"Good Evening.† He came back at the end of each episode to tie up any loose ends about the culprit being caught. Hitchcock’s popular horror movie, Psycho (1960), was filmed inexpensively by his Shamley Productions TV crew. In 1956, Hitchcock became a U.S. citizen, but remained a British subject. Awards, Knighthood, and Death of Hitchcock Despite being nominated five times for Best Director, Hitchcock never won the Oscar. While accepting the Irving Thalberg Memorial Award at the 1967 Oscars, he simply said, â€Å"Thank you.† In 1979, the American Film Institute presented Hitchcock with its Life Achievement Award at a ceremony at the Beverly Hilton Hotel. He joked that he must be about to die soon. In 1980, Queen Elizabeth II knighted Hitchcock. Three months later Sir Alfred Hitchcock died of kidney failure at the age of 80 in his home in Bel Air. His remains were cremated and scattered over the Pacific Ocean.

Empowering The Leadership Of Women In Marketing With Jodi Duncan

Empowering The Leadership Of Women In Marketing With Jodi Duncan Which mentors and managers helped shape and influence you the most through the years? Who made you a better person and marketing professional? Are most of them smart, talented women? According to the Association of National Advertisers, 67% of the marketing industry is female. Today, my guest is Jodi Duncan, president of Flint Group. We discuss the current climate and ecosystem for women in marketing and business. What are some of the current challenges and opportunities that women face? Marketing agency trends and adapting to them biggest challenge is the digital movement; expectations and pressure related to measuring ROI and spending How to evaluate, identify, and implement tools and technologies for clients; don’t overlook the client’s objective and what they’re trying to do Creating content and related messages, then effectively communicating content through multiple channels that have different parameters Challenges of creating authentic content experiences; voice should match brand Flint’s best strategies to do high-quality work for clients and be a place where people want to work; communication is critical Progress needs to be made regarding concept of women in leadership and business; Women in Business blog series shares lessons and accomplishments Are you a good b*tch, or a bad b*tch? Women don’t always support each other; difficult for women to get leadership position and not be branded a bitch Show support and make an impact via direct conversations to address issues Men just need to ask women to participate, include them, and offer opportunities to express their opinions Women entering the workforce need to pay attention, watch, learn, ask questions, and speak up Links: Flint Group Women in Business Blog Series by Jodi Duncan A Diversity Report for the Advertising/Marketing Industry - And A Call to Action Skype Sheryl Sandberg Write a review on iTunes and send a screenshot of it to receive a cool swag bag! If you liked today’s show, please subscribe on iTunes to The Actionable Content Marketing Podcast! The podcast is also available on SoundCloud, Stitcher, and Google Play. Quotes by Jodi Duncan: â€Å"The biggest challengeis the whole digital movement.† â€Å"Content is just a whole other animal. Not only what content you want to get out there and what the messages are, but how do you effectively communicate that content.† â€Å"It’s sort of a battle to get into those leadership positions when the biggest naysayers are other women that you work with. They’re not necessarily your best cheerleaders.†

Acropolis in the Late Bronze Age Essay Example | Topics and Well Written Essays - 1250 words

Acropolis in the Late Bronze Age - Essay Example It is the highest point of Athens (Blegen 1967, 22). Acropolis is situated on a horizontally topped rock wrapping; the area of approximately 3 hectors with 500 feet exceeding the sea level. In the more primordial times, it was known as Cecropia (with reference to the name of first Athenian king) (Mountjoy 1995, 122). In the ancient history of Greece, the ancient city of Athens clutches an explicit historical significance because of antediluvian developmental arenas (John 2001, 23). When it is to be conferred about well known migration from Athens city towards Acropolis, it reveals different momentous ciphers about the actual phenomenon. Many of the historians refer it to as a natural disaster or any other catastrophe such as rain flood, storm or earth quake. However the symptoms of actual occurrence divulge abundant facts and events associated to the migration (Myres and John 1958, 46). Some of the historians disclose it as a threat of invasion at Athens that is accentuated over the need of migration. The late Bronze Age covers the overall underlying phenomenon. The period of late Bronze Age is traced from 1600 B.C to 1100 B.C. The well known migration from Athens to Acropolis is found in the history as Dorian migration. In the fundamental study, we will focus on identification of the actual causes for what people were forced to migrate toward a higher peak point of the city for the sake of shelter (Mountjoy 1995, 129). Background Late Bronze Age was equipped in resolution on the shore of model settlements in Mycenae and property was bordered by mountains. At the same time impenetrable refinement was divergent to the prevailing mores. The late Bronze Age was most likely to be overlapping with the early Iron Age (John, 41). Some of the historians entail that the latest epochs of late Bronze Age and early Iron Age are identical. According to the numerous archaeologists the late Bronze Age was collapsed with the said migration. The migrants were those people who l ived around the Aegean Sea. They were forced to migrate to upper most point of the Athens city (Hall, 40). Until a few years back (than to the late Bronze Age), the Athenians were not that much notorious to the urbanity. The fortification of exploration of excavations was the main apprehension of the time. At last there were five excavations which were furnished through the Athens history (Robinson and Boegehold, 81). If these excavations are to be further explored in order to dig out the ground facts of that time, the early crusades reveal about the continuances of flight of stairs which were prime from the inferior portion of the city (Athens) to upper corner toward Acropolis. The history of Late Bronze Age also covers the dark age of Athens (Myres and John, 12). Migration The destruction of Mycenaean places was mistrustful as it forced people to move towards upper segment of Acropolis (Bury, 21). Numerous archaeologists argue that it was because of rain flood since it is observed that people recurrently move to higher situate when there is a flood. But there were no symptoms of flood. It is because the destruction of the flood is somewhat explicit. The fire at that place was also not evident because it leaves nothing behind (Drews, 8). The feudal system was in institution at conventions. The invaders were destructing the places to eradicate the feudalism. It seems more sophisticated if the foundation of destruction may be referred to as being some sort of invasion (Anonymous, 39). It is said that the Dorian invaders assaulted the population that were residing in Peloponnesus. The Dorian belonged to subsequent lower social class and they were looking for amputation of feudal system and insurgency to improve their life styles